Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula. This bite caused various symptoms, such as nausea, difficulty to speak, delusion, excitability and agitation. The victims suffered then from convulsions and the only way to heal them was to engage in a frenzied dance, as it was believed.
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination. The images she works with to create her collages (paper or video) come from magazines or history books, film extracts or soap operas from the 1960s and 1970s. By readapting a universal past (in her work on monuments) as well as personal (with tv series she used to watch as a child, etc.)
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach. The images have lost their context and original meaning to then be re-assembled, confronted to each other and superimposed with other elements, to reveal new sequences. The narration has disappeared from the sequences and the spectator waits in vain for something to happen.
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years. While exploration was mainly a matter of geography during the 19th century, the 20th century brought the mental exploration of our unconscious, triggered by the discovery of psychoanalysis. Koester is interested in documenting minor events, forgotten by History, in order to reintroduce them into collective memory.
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination. The images she works with to create her collages (paper or video) come from magazines or history books, film extracts or soap operas from the 1960s and 1970s. By readapting a universal past (in her work on monuments) as well as personal (with tv series she used to watch as a child, etc.)
Drawing & Print (Drawing & Print)
“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized. Needless to say, the wars also affected Lebanese cities, buildings and institutions. It is clear to me today that these wars also affected colours, lines, shapes and forms.
For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders. The series of looping three-dimensional animated videos are only seconds long—a timespan familiar to gif and online meme culture—and feature global dictators, strongmen and strongwomen, kings and queens, princes and princesses, emirs, sheikhs and sheikhas, sultans, shahs, emperors and empresses, popes, ayatollahs, presidents, prime ministers, CEOs, and GOATs. The subject of cakes has a specific personal meaning for Raad, whose first job as an adolescent was photographing pastries at a bakery in Beirut.
Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires. He walks through churches, shops, and libraries—accessing completely different interior spaces simply by going through doors. The seamless editing allows the man to transcend locations: after he enters a house from a busy intersection he emerges in the halls of a school.
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist. The first scene portrays Wolukau-Wanambwa in a close-up frontal view, dressed in black, standing silently against a worn white wall. Through subtitles, the artist recounts her experience of participating in a workshop on the top floor of the museum.
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China. For this video, Wong accompanied six male friends from art school to a group show of their work titled “Inside Looking Out” at Osage Gallery in Beijing. Throughout her visit, she was rarely acknowledged for her own creative accomplishments and was more frequently introduced as an artist’s girlfriend, and often without name.
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction). The young hip-hop artists respond with anger and defiance to their forced expulsion from Sulukule, a historic Roma settlement in Istanbul, due to a redevelopment project. Their lyrics address issues of gentrification and inequality, while their actions show the possibilities for both violent and artistic rebellion.
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay. The mythical figure Boitatá is a protector of jungles and forests. In GuaraníBoitatá is the union of two words: Mbói (snake) and tatá (fire).
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance. The work is inspired by the Blue Blouse, a political propaganda theater movement which spread across the Soviet Union in the mid-1920s. More specifically, the work takes the form of ‘Living Newspapers’, which were performances based on topical news events.
Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia. Someone uploaded on a sextape of pop star Ariel Peterpan with model-actress Luna Maya recorded on a mobile phone. Several days later, another video of Ariel Peterpan and Cut Tari, an infotainment news presenter in Indonesia, surfaced on the Internet.
In Endurance, 26 homeless youths stand still looking directly into the camera for an hour without speaking. As each stands, the video is rendered with a time-lapsed effect in which traffic and pedestrians pass by and light fades into night and back again; during the transition from one youth/performer to the next, the video reverts into slow-time. The audio tracks on the video combine street sounds with edited sequences of the pre-recorded interviews.
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011). More specifically, Rubber Man addresses the French colonial legacy of land use for the exploitation of rubber –today exploited by multiple forces such as individuals, governments, multinationals and international banks– and its effects on Cambodia’s indigenous forests and culture today. The video takes place in Ratanakiri, an area in northeastern Cambodia increasingly known in local and international news for land grabs and protests, and where the artist frequently traveled to over two years.
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound. In both works, the 36 minute video depicts a narrative taking place outside of a live theater performance in the form of monologues that moves between the production and technical crew. There is a set of three different characters—a lighting technician, a lighting designer, and a professor all played by the same actress who share in their personal experiences and attitudes the precariousness of their work, the problems and myths of collaboration, and the obsolescence of theatrical technology.
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few). If humans interpreted and appropriated the geometric-shaped works they created as conceptual and minimalist artworks, the objects were in fact transmission devices the Lemurians used to report back on human actions to their mother planet. The video takes the form of a channeled message from Adama, High Priest and spiritual leader of the Lemurians.
5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration. The main video features two dancers intertwining, caressing in trancelike movements, with intimacy eventually leading to scarring and bleeding. Towards the end, the trace of bodily movements and fluids crescendo in an image of a skull in a synthesis of performance, painting and theater.
I don’t remember is a video by Yung Jake that combines his passion for both music and the visual arts. As per several of his works the video borrows from the vernacular of rap and relies on the aesthetic and stylistic qualities of music videos. A humorous interpretation of the rap and hip hop genres, the video combines scenes from urban settings and snapshots of a party as the artist raps in a drowsy monotone about having forgotten the wild night.
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city. Okón focuse d on Ciudad Juárez as a site for many ‘ maquiladoras ’ ( factories) and on its role within the global context. A mixed media and video installation , the work takes the form of a fictitious factory that produces canned laughter for sitcoms.
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles.
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art. For him, this is a way of rethinking the tradition in a more personal way, to have a grip on events of recent history and examine them with a curiosity, both critical and sensual. The artist emphasizes the fact that new ideas and meanings may arise from these archaeological narratives.
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories. In the left channel, set in a fine museum storage facility, art conservators unfurl and inspect modernist Balinese paintings, prints, and sculptures. In the right channel, Javanese-Australian dancers, Ade Suharto and Melanie Lane, echo each other’s movements.
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display.
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...
Walid Raad is a Lebanese artist whose work investigates the way historical events of physical and psychological violence affect bodies, minds, culture, and memory...
Miguel Calderón is a Mexican artist and writer...
Born in 1965 in Mbouda (Cameroun), Goddy Leye was an artist, a teacher, a cultural activist and a curator based in Douala (Cameroun)...
Woto Wibowo, aka Wok The Rock, is a cross-disciplinary artist working mostly on art-based project...
Emma Wolukau-Wanambwa is an artist, researcher, and convenor of the collective the Africa Cluster of the Another Roadmap School, a project fostering conversations about art and education in Africa...
Although Jonas Van and Juno B do not belong to a collective, this collaborative video reflects their individual practices and their complex subjectivities...
Camel Collective comprises the artists Carla Herrera-Prats (Mexican, photographer and conceptual artist) and Anthony Graves (American, painter), who began working together in 2005 during a fellowship at the Whitney Independent Program...
“Finger Pointing Worker” is a man who pointed at the public live camera in Fukushima nuclear power station after the disaster in 2011...
Halil Altindere has been prominent in Istanbul’s contemporary arts since the mid-1990s...
Leyla Stevens’s research-oriented practice engages with notions of gesture, ritual, spatiality, and transculturation through moving image and photography...
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...
Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions...
Jay Chung and Takeki Maeda’s practice is characterized by performance, which often involves weighty unsettling humour...
Gabriella Mangano and Silvana Mangano are an artistic duo and identical twins known for their collaborative and performative video practice...
Yung Jake is a visual artist and YouTube rapper based in Los Angeles whose work fuses new media, music, and art...
Born in 1986 in Bangkok, Thailand, Korakrit Arunanondchai now lives and works in New York and Bangkok...
JJ Manford: Hayden Rowe Street at Derek Eller Gallery, NYC (Video) - ArteFuse Please like, comment, and subscribe to support our YouTube channel...
5 Artists on Our Radar in February 2024 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in February 2024 Artsy Editorial Feb 5, 2024 8:50PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...
29 Emerging Black Artists to Discover This Black History Month, Part 1 | Artsy Skip to Main Content Art 29 Emerging Black Artists to Discover This Black History Month, Part 1 Isis Davis-Marks Feb 1, 2024 4:57PM To recognize Black History Month, Artsy is spotlighting 29 emerging Black artists—one for each day of this important month...
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Video: attitudes to nudity in art | Blog | Royal Academy of Arts Marina Abramović in the Main Galleries Video: attitudes to nudity in art Read more Become a Friend Video: attitudes to nudity in art Published 14 December 2023 Watch Marina Abramović discuss her performance ‘Imponderabillia’ first performed over 40 years ago...
As we approach the end of 2023, we’re revisiting some of the top stories we wrote about this year...
Why are ever more artists ditching dealers? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Commercial galleries analysis Why are ever more artists ditching dealers? From the emerging to the blue-chip, artists are trading gallery representation for agents or outright autonomy Anny Shaw 12 December 2023 Share Rachel Jones (top) and Peter Doig (right) have left their galleries, while Nick Hornby says he has to explore “atypical scenarios” to realise public sculptures such as Power over others is Weakness disguised as Strength (2023, left) Jones: Photo Adama Jalloh, Courtesy Thaddaeus Ropac gallery....
The Best Art Gifts for Artists and Art Lovers: Updated for Holiday 2023 – ARTnews.com Skip to main content By The ARTnews Recommends Editors Plus Icon The ARTnews Recommends Editors View All December 12, 2023 1:00pm Zakka Joy If you purchase an independently reviewed product or service through a link on our website, ARTNews may receive an affiliate commission...
8 Emerging Artists Who Made a Splash at This Year’s NADA and Untitled Art in Miami - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of Henrik Godsk at Vigo Gallery at Untitled Art 2023...
Displaced by War, Sudanese Artists Fight to Keep Making Work Skip to content Without access to her digital camera, artist Arwa Ahmed uses her phone to keep a visual diary, documenting the war that has displaced her and her family from Khartoum...
Miami-based artists and arts organisations grapple with gentrification Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature Miami-based artists and arts organisations grapple with gentrification Those responsible for building Miami's vibrant art scene are struggling to pay for housing and workspaces Carolina Ana Drake 8 December 2023 Share Charles Humes Jr.'s Pork & Beans Please (2021) Courtesy of the artist Between 2020 to 2022, the population of Florida grew by 707,000, according to US Census data ...
Two Chinese artists show contrast in styles in side-by-side solo exhibitions of paintings at Hong Kong’s Blindspot Gallery | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Detail from “Bay of the Deer” (2023) by Zhang Wenzhi, part of the Beijing-based artist’s solo exhibition “Tiger in Mountains, Deer at Ocean” at Blindspot Gallery...
How Are Pakistani Artists Grappling With the Climate Crisis? Skip to content Zohreen Murtaza (Pak Khawateen Painting Club), “Untitled” from the series Pari (Fairy) Space in “Symbolism of Home” (2022), digital collage (image courtesy the artist) Near the boundaries of Pakistan’s Sindh and Balochistan provinces lies one of the world’s warmest cities: Jacobabad, where locals endure temperatures as high as 127 degrees Fahrenheit and a severe shortage of water due to improper public water resource management...
Pipilotti Rist, Anj Smith and Guillermo Kuitca at Hauser & Wirth, NYC (Video) - ArteFuse PIPILOTTI RIST PRICKLING GOOSEBUMPS & A HUMMING HORIZON 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET ANJ SMITH DRIFTING HABITATIONS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET GUILLERMO KUITCA PINTURA SIN MUROS 9 NOVEMBER 2023 – 13 JANUARY 2024 NEW YORK, 22ND STREET...
5 Artists on Our Radar in December 2023 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in December 2023 Artsy Editorial Dec 1, 2023 2:00PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...
My sketchbook: Emyr's life drawings and abstract lines | Blog | Royal Academy of Arts Emyr’s sketchbook My sketchbook: Emyr’s life drawings and abstract lines Read more Become a Friend My sketchbook: Emyr’s life drawings and abstract lines Published 21 August 2023 Take a look inside the sketchbook of artist Emyr Williams and learn how drawing with your opposite hand can improve your technique...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Artists reflect on Success – Art and Cake August 24, 2023 August 24, 2023 Author Artists reflect on Success Connie Rohman A 2018 study found that 60% of artists make less than $30,000 a year...
Press Release: Art21 to Release New Film: “Sarah Sze: Emotional Time” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 16:41 Add to watchlist Guerrilla Girls in "Bodies of Knowledge" Art in the Twenty-First Century Season 11 June 23, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
The Working Processes of Artists: Alan Choo | ArtsEquator Skip to content Alan Choo is a Singaporean violinist and the artistic director of Red Dot Baroque, a group of Singaporean musicians promoting baroque music here...
What Art Does Demi Lovato Collect? Here Are 8 Artists and Designers the âHappy Endingâ Singer Owns and Is Inspired By - via artnet news...
Cheng Xindong's contemporary art collection on display in Beijing - CGTN ABOUT US Home China World World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Download Art 19:59, 21-Dec-2020 A snapshot of globalization: Cheng Xindong's contemporary art collection on display in Beijing By Ding Siyue Share Copied 02:32 Tsinghua University Art Museum is hosting an exhibition for the renowned Chinese art collector Cheng Xindong...
Announcing the 2023 Creative Time Open Call Artists - Creative Time Announcing the 2023 Creative Time Open Call Artists July 28th, 2022 Tweet Email Creative Time announces Kite and Alisha Wormsley as the artists selected from the 2022 Open Call invitation...
Do The Arts (And Artists) Have A Future In Singapore? Skip to content Without a doubt, Singapore has well-established its status as the premier financial hub in Southeast Asia...
The working processes of artists: Sonia Kwek | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 20, 2021 “Probably your body is the one space you can be the most autonomous still”, says artist and performer Sonia Kwek...
The working processes of artists: Lim Ai Hooi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 25, 2020 Choral conductor Lim Ai Hooi deconstructs the visible and less visible aspects of her work, from how to read notations on a score to the gestures she uses, and how this can reach the hearts of the audience...
The working processes of artists: Chong Li-Chuan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 11, 2020 Sonic artist and composer Chong Li-Chuan shares how he uses sound and music to complement and elevate performances, from theatre to site-specific works, dance and movement...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
The working processes of artists: Tim De Cotta | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Tim De Cotta October 18, 2019 In this video, LASALLE students Nicole Kessler and Marian Saturno speak to musician Tim De Cotta on his (many) musical influences, how he talks about social issues through music and how to keep your art pure...
The working processes of artists: Sheng player Michael Lee | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Michelle Fonseca and Hazeline Ali...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Of Action 26:15 leonardogillesfleur notes: “There is almost an ice-cream store in every corner of Buenos Aires...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Drawing & Print
“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized...
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
In Goddy Leye’s installation work The Beautiful Beast , a video is projected onto a gold-colored wooden box filled with sesame seeds...
Jay Chung and Q Takeki Maeda remake a clip from the 1970s they found on the internet, and without really changing this archive material, displace it by imitating the staging and the acting with scrupulous precision...
Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia...
During Summer 2011, few months after the nuclear accident, performance artist Kota Takeuchi got a job at the Fukushima Daiichi plant and kept a blog about the labour conditions of clean-up workers...
Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
In Endurance, 26 homeless youths stand still looking directly into the camera for an hour without speaking...
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction)...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
His untitled paintings express his concern regarding perception in abstract form...
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay...
Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...
For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...